1739-1927   Related Paintings of Otto Bache :. | kroningstag | De lichtensteinske husarers angreb ved Sankelmark afvises | De sammensvorne rider fra Finderup efter mordet pa Erik Klipping Skt. Cacilienat 1286 | The working horse | De sammensvorne rider fra Finderup efter mordet pa Erik Klipping Skt. Cacilienat 1286 |
Related Artists:
Karel Purkyne
(1834-1868) was a Czech painter. He was one of the most prominent proponents of realism in Czech art in the second half of the 19th century. He was the son of the physiologist and anatomist Jan Evangelista Purkyne, and developed an interest in art while still young. Early influences included the Baroque painters Karel Škreta and Petr Brandl and the paintings of the Dutch Golden Age. He spent a year in Munich studying with Johann Baptist Berdelle before traveling to Paris, where he worked with Thomas Couture; there he copied paintings by Old Masters and encountered the work of contemporary French artists. He was particularly struck by the works of Gustave Courbet. Upon returning to Prague, Purkyne became known primarily as a portraitist, though a handful of works in other genres are known. He also made a name for himself as an organizer of artistic events and as an art critic.
antoine pevsner
Antoine Pevsner (18 January 1886 ?C 12 April 1962) was a Belarusian and Russian sculptor and the older brother of Alexii Pevsner and Naum Gabo. Both Antoine and Naum are considered pioneers of twentieth-century sculpture. Pevsner was born in Klimavichy, Belarus. Among the originators of and having coined the term, Constructivism, and pioneers of Kinetic Art, they discovered a new use for metals and welding and made a new marriage of art and mathematics.
Tranquillo Cremona
Italian Painter , 1837-1878 Italian painter. The son of an Austrian government official, Cremona began his artistic education in 1849 at the art school in Pavia, where he encountered three Lombard artists who were an important influence on his early studies: Giacomo Tr?court (1812-82), head of the school; Giovanni Carnevali, Tr?court's friend and a frequent visitor to Pavia; and Federico Faruffini, also a student at Pavia. All three were interpreters of the curiously soft and subtle form of Romanticism, derived from Andrea Appiani, that was to be found in this specific form only in Italy. In 1852 Cremona moved to Venice, where he enrolled at the Accademia. His teachers, who included Ludovico Lipparini (1800-56), Michelangelo Grigoletti (1801-70) and Antonio Zona (1814-92), were well versed in the more academic form of Romanticism expressed by Francesco Hayez, although in Zona the rather rigid, academic linearity was attenuated by a softer sense of form and colour. The Venetian Old Masters were a greater influence on Cremona's ultimate use of colour than was his academy training. In 1859, to avoid military service with the Austrian Army, Cremona moved to Piedmont.